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Three
excerpts from h.e/s.he
scatology in 315 wor./d sec./tions
jerzy kosinski and magda szabo the lied truth in degrees of history and
sociology meant nothing escaping fake names changed to live with steps taken
for a full voice howling which made magda squirm but she could the hear
elementary children scream of not being allowed to speak who became a
household name since she was a burnt out novelist later in years while jerzy
created a false foundation for despised communist plagiarizing words
with odd jobs to survive acting on a private farm where animals play with
peter sellers as he laughed tripped on his own head but the painted bird was
gorgeous watching while magda loved an odd flow of ink and wrote smoothly
about a tycoon she once knew but the communist killed him on tv where the
door was not a door which was popular with the country and jerzy was not a
jerzy in the movie reds while thinking thoughts horrific that he wrote about
the blind dates and manson murdering sharon tate wishing he was there to
write about blood and pregnancy snuffed out accusing a wild man with long
hair crucifixion of
crosses crying across the country putting plastic bags around the heads of
the world suffocating them with drugs and alcohol so bye jerzy coward of life
bye magda brave with words fighting for a life mostly taken away hurting
eyeballs of communism which see but jerzy closed his while magda opened hers
both yelling in different tones accents in different places surviving the
flying wasps stinging wings creating hurt on their thighs swimming quickly in
water veins loosen while birds chirped notes out in painted bright colors
printed for children of the holocaust jerzy and magda grew into another
neighborhood and accepted their fate of alligators chewing on their bones to
break some immortal feeling that they are done with bleeding on the swamps
edge with fluoride dripping from their teeth
erik satie and camille paglia goat hairs dank rhapsody dunks his music his
gold ring paper sheets on tiny rope chains stain his fingers muskrat wine
satie sing along no no no numbers count up faster than ravel masturbates to
long piano strokes curve bracket notations an inverted pause all
advertisements on sale obsolete books oh well oh well pass the gravy verse
his face on dark trees growing around concrete beaches grief and slippery
loneliness eaten with buns burnt crispy critters pigs horsey impressions his
tomato indication he calls his sister cancer she hung herself in the basement
inhabited by paper piano and orange rinds his glass moisture music every hour
every day the same long mirror weeps his handsome weeping willow weeping
sunny day poets touch more china chintz and lamb still in field their sneeze
indigenous uncharted canoe on high seas measures sound quickly jumps paglia
struck between subordinate art contemporary political guilt rigid literalism
and propaganda glittering images dogmatic open criticism did context marry
writing or art always within a generation which sets every generation at risk
using the present political stance what other stance can contemporary artists
take paglia shows off art history an unlikely feminist a grunge contemporary
writer with political and monetary gain fame goes along with all history of
gains nothing wrong with any of it but don't expect her to agree with
some assertions or choices she
defends or enjoys controversy often expects and defends her statements her
opinions and most agree she dares in your face intellectual reasoning is an
adventure into the world of art as well as into finding something to spit
back confrontation with academic mandarin disdain for popular culture shows
an elitism that betrays and suggests high or low as junk culture unique in
hyperbole and virulence her hostility virtually all prominent feminist
activists and public figures pc divas dance away from her dank punk rhapsody
john holmes and carol doda wadd the adult loop no less by virtue of his
schmendrig to the normal engorgement with blood vascular
congestion twin forty fours at the condor vaccinated by silicone heat
resistant and rubber
like used in sealants adhesives lubricants medicine cooking utensils and
thermal and electrical insulation meatpacking a forklift driver for the sake
of two fists of sweedish erotica those peaks of twin grand piano hydraulics
the lowered ceiling gogo dances the black keys tagged the sultan of smut
pimping pandering shaking mammalians of the australian crawl stiff stirred to
ache on her monokini his veiny directive porn informer forty four injections
later freebasing free amine free alkaloid her red flashing neon nipples his
engorged tumescence damn those bare bosom raids to unhinge the archetype then
the fall to flaccidity as the ultimate credit card fraud she was dressed in a
red miniskirt with dark blue piping and beige boots he confessed to
doing thirteen thousand eight hundred and ninety five women talk either or
talk thong for the case is the panty line of cheeks to autoaffect dichroic
filters and wraparounds in the infinity of an orgasm without end backed by the
lucky stiffs not the least of which tipped his shlong to a gay loop for
market share and two tickets to boogie nights prune picker file clerk
ballroom dance instructor and cocktail waitress whose measurements are forty
four twenty five thirty six he rising sixteen inches to wonderland before
encephalitis and the flaming swords of eden with her luxuria groping the life
force of bloody in los angeles or on planet sheer where the inhabitants are
figurines comprised of sexual organs scampering about like red ants
collecting scraps of skin to offer the great dodaholmes before being eaten by
himer in a gold gown and elbow length gloves hung like a horse named girth
ruling the gag gift the patron tongue pant
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